In her beloved New York Times bestsellers Snow Flower and the Secret Fan, Peony in Love, and, most recently, Shanghai Girls and Dreams of Joy, Lisa See has brilliantly illuminated the strong bonds between women, romantic love, and love of country. Now, in CHINA DOLLS, which is about Asian-American nightclub performers of the 1930s and 1940s, she returns to these timeless themes. The San Francisco Chronicle praised the novel, stating,“China Dolls plunges us into a fascinating history and offers an accessible meditation on themes that are still urgent in our contemporary world. The women’s story explores burning questions about the possibilities of friendship, the profound effects of betrayal, the horrors of prejudice and the nature of ambition—especially female ambition. . . . These Asian artists were true pioneers, breaking ground, chasing vast dreams, subverting stereotypes simply by appearing onstage against the odds. Here, in China Dolls, they have found another stage of sorts, another place to rightfully shine.” The Washington Post commented,“This emotional, informative and brilliant page-turner resonates with resilience and humanity,” while O Magazine called China Dolls “a spellbinding portrait of a time burning with opportunity and mystery.” The novel is Lisa See’s fourth instant New York Times bestseller.
Ms. See has always been intrigued by stories that have been lost, forgotten, or deliberately covered up, whether in the past or happening right now in the world today. For Snow Flower, she traveled to a remote area of China—where she was told she was only the second foreigner ever to visit—to research the secret writing invented, used, and kept a secret by women for over a thousand years. Amy Tan called the novel “achingly beautiful, a marvel of imagination.” Others agreed, and foreign-language rights for Snow Flower were sold to 39 countries. The novel also became a New York Times bestseller, a Booksense Number One Pick, has won numerous awards domestically and internationally, and was made into a feature film produced by Fox Searchlight.
Ms. See was born in Paris but grew up in Los Angeles. She lived with her mother, but spent a lot of time with her father’s family in Chinatown. Her first book, On Gold Mountain: The One Hundred Year Odyssey of My Chinese-American Family (1995), was a national bestseller and a New York Times Notable Book. The book traces the journey of Lisa’s great-grandfather, Fong See, who overcame obstacles at every step to become the 100-year-old godfather of Los Angeles’s Chinatown and the patriarch of a sprawling family.
While collecting the details for On Gold Mountain, she developed the idea for her first novel, Flower Net (1997), which was a national bestseller, a New York Times Notable Book, and on the Los Angeles Times Best Books List for 1997. Flower Net was also nominated for an Edgar award for best first novel. This was followed by two more mystery-thrillers, The Interior (2000) and Dragon Bones (2003), which once again featured the characters of Liu Hulan and David Stark. This series inspired critics to compare Ms. See to Upton Sinclair, Dashiell Hammett, and Sir Arthur Conan Doyle.
Ms. See has led an active and varied career. She was the Publishers Weekly West Coast Correspondent for thirteen years. As a freelance journalist, her articles have appeared in Vogue, Self, and More, as well as in numerous book reviews around the country. She wrote the libretto for Los Angeles Opera based on On Gold Mountain, which premiered in June 2000 at the Japan American Theatre followed by the Irvine Barclay Theatre. She also served as guest curator for an exhibit on the Chinese-American experience at the Autry Museum of Western Heritage, which then traveled to the Smithsonian Institution in Washington, D.C., in 2001. Ms. See then helped develop and curate the Family Discovery Gallery at the Autry Museum, an interactive space for children and their families that focuses on Lisa’s bi-racial, bi-cultural family as seen through the eyes of her father as a seven-year-old boy living in 1930s Los Angeles. She has designed a walking tour of Los Angeles Chinatown and wrote the companion guidebook for Angels Walk L.A. to celebrate the opening of the MTA’s Chinatown metro station. She also curated the inaugural exhibition—a retrospective of artist Tyrus Wong—for the grand opening of the Chinese American Museum in Los Angeles.
Ms. See serves as a Los Angeles City Commissioner on the El Pueblo de Los Angeles Monument Authority. She was honored as National Woman of the Year by the Organization of Chinese American Women in 2001 and was the recipient of the Chinese American Museum’s History Makers Award in Fall 2003.